In this still above, Neff and Phyllis are in the
grocery store, as they are planning the murder of her husband. Her attitude and
appearance reminded me of Lynn Bracken in LA Confidential, specifically in this
still of Bracken, below.
They both look very done up and fake looking. While Bracken is covering
herself up in a white hood, Phyllis is wearing sunglasses to help hide her
face. They are also both wearing a fair amount of lipstick, which stands out in both shots, and you can tell
their hair has been done up.
The other dominant female character in this
film is Lola, Phyllis’s stepdaughter. I think that she is used to contrast
Phyllis, and shows the extremes of Phyllis’s character. Lola is what appears to
be a sweet and innocent daughter who can see through Phyllis’s plans. She is
also key in Walter finding out about Phyllis’s past murders, and tattles on her
step mom.
At the beginning of the film during the first
interaction of Phyllis and Walter, which is shown above, her appearance and the way the shot is
filmed portrays her overpowering personality, but for me, I did not catch that
during my first time seeing the scene. She appears in all white, wrapped in
just a towel, and you can tell even from this shot that she has a plan, and knows
what the future holds. She seems very confident in what she is doing, and this
is a typical stereotype of femme fatale characters in film noir. They tend to have
a hidden plan that will become apparent later in the film, just as Phyllis
did.
Specifically in this film, the femme fatale character does not extend past the sexual part, because that is how she traps Walter. Even outside of the film noir era of film, women have always been stereotyped to use their sexuality to their advantage in films. This is an excellent example of this, because her character uses her beauty to convince other men to help her with her plans of murder.